Tag Archives: Opera Theatre of St. Louis

Arts & Culture Events for Preschoolers

Artsy Summer Camps in St. Louis

There is an abundance of excellent summer camp offerings in the St. Louis region for kids of all ages. Looking for something special for your little arts enthusiast? Here are some suggestions. Classes are filling up quickly, so be sure to register soon. Note, some nonprofit organizations offer discounts for members.

Doesn’t this list make you want to have summer vacation again?

COCA (Center of Creative Arts)
COCA has numerous summer camps located in University City and Creve Coeur that focus on dance, music, visual art, story telling, theater, cooking, clowning, acrobatics, stage combat, comic books, film, legos, photography, pottery, and pretty much anything and everything art related. For ages 3 to 18. Summer camp brochure.

Laumeier Sculpture Park
4 to 6 year olds get to create artwork with composer-in-residence, Eric Hall! Expect fun experiences at these week long outdoor summer camps that explore the Laumeier Sculpture Park’s incredible collection. The average staff to camper ratio is 1:7. For kids ages 4 to 15. The park is located in the Sunset Hills area. Summer camp brochure.

Yucandu Art Studio
Located in Webster Groves, this unique hands on art studio offers small visual art camps for grades K-12. Projects include painting, decoupage, collage, mosaics, and more. For those of you who head scout troops or have a million cousins in the area, Yucandu also offers a special friends and family summer camp designed for 8 to 16 kids.

The College School
Also located in Webster Groves, the Reggio-Emilia geared College School offers all day camps for ages 4 to 15. Arts themed camps include Funtastic Fantasy, Make Your Mark, Junior Circus Skills, Science, Art, and Cooking, and Art by Nature. Summer camp brochure.

Camp Curtain Call at The Magic House
Children ages 8-11 can experience the magic of live theater during a weeklong drama camp at The Magic House. Through activities and games, campers learn about putting on a theatrical production including basic theater terms, line readings, projection, stage directions, rehearsing, props, scenery, and dress rehearsal. Participants present their theatrical production to a live audience and then give a special performance for their families on the last day of camp.

Community Music School of Webster University
Summer opportunities for infants through high school students include a family “zoo train” session for children and their caregivers, band camp, flute camp, low brass week, chamber music camp, strings camp, composing camp, and individual instruction.

Opera Theatre of St. Louis
Youth entering grades fourth through eighth spend a week singing, dancing, writing words and music, making instruments, and learning about costumes and makeup, lighting, and set design. They tour backstage, work with Opera Theatre of St. Louis professionals and leading music educators, and see a performance of Unsuk Chin’s Alice in Wonderland. Located in Webster Groves. Summer camp brochure.

Piwacket Theatre for Children
Located in Maplewood, this delightful children’s theater offers week long camps for children ages 6 to 15. Participants create an original show through games, music, dance, theater, and play.

Craft Alliance
These summer camps are packed with creative art experiences for 4 to 18 year olds. Activities may include working with clay, glass, graphics, metal arts, wearable art, fiber materials, and more. Camps are held at the Delmar studios or the Grand Center studios. Summer camp brochure.

Dave Simon’s Rock School
Band rehearsals, recording studio, private lessons, music appreciation, rock history, song writing, and/or improvisation is offered for students ages 9 to 18. Youth should have at least one month of instrument instruction prior to the beginning of a camp session. Beginners and advanced students are welcome. Located in Olivette.

ArtsINTERsection at New City School
Metro Theater Company’s ArtsINTERsection summer camp is for children ages 4 to 11. The camp offers kids a great place to experience art, music, movement, and drama in a safe and warm environment. Classes are taught by experienced, professional artists and are located near Forest Park.

Photo: COCA


Arts & Culture Events for Preschoolers, Community

Free vocal recital featuring local high school students

23 students from 16 St. Louis high schools in Opera Theatre of St. Louis’s Monsanto Artists-in-Training program will perform opera arias this Sunday, January 29 at 3 pm, Graham Chapel on the campus of Washington University. The event is free and open to the public. Highly regarded mezzo-soprano Pamela Dillard, who has been coaching the students during a recent artist residency, will also perform at the concert. This is a wonderful opportunity to share classical music with your family and for your school aged kids to see high school students really excel at something that they love.

Currently in its 23rd year, Opera Theatre of St. Louis’s Monsanto Artists-in-Training Program has consistently identified, coached, and encouraged talented singers in St. Louis urban and suburban high schools. Students receive individual weekly coaching and voice lessons by Opera Theatre of St. Louis’s professional staff; two artist residencies conducted by visiting guest artists; numerous chances to attend performing arts events; and a three-day college retreat where they learn about college life and academics. Each spring, the students perform in a free public recital at the Sheldon Concert Hall. To date, more than 170 students have completed the program and Opera Theatre of St. Louis has awarded these graduates more than $335,000 in scholarships to support their college educations. Many graduates have continued to pursue academic degrees and professional careers in music. Artists-in-Training is generously supported by the Monsanto Fund, the philanthropic arm of Monsanto Company, who has been the principal underwriter since the program’s inception.

Photo: Opera Theatre of St. Louis
Arts & Culture Events for Preschoolers

Mozart’s The Magic Flute for Families

The St. Louis Symphony performs a 45 minute condensed version of Mozart’s final opera, The Magic Flute, on Sunday, January 15 at 3 pm, Powell Hall (718 North Grand Boulevard), with Ward Stare conducting. Filled with imaginative settings, a bird seller, a captured princess, an evil queen of the night, colorful costumes, an eight foot long stuffed dragon, and of course beautiful and unforgettable music, this abbreviated version of The Magic Flute is a great introduction to opera for mature preschoolers and up (even adults who are not fond of sitting through 3 hours of a full length opera).

The performance features baritone Ian Greenlaw, several artists from the prestigious Opera Theatre of St. Louis Young Artists program, and local singers. The opera is presented in English with projected titles. Tickets start at an incredibly reasonable $7 each and are available online or by calling 314.534.1700.

Additional tips:

* There is no intermission so be sure to make a restroom stop before the show.
* Kids hungry before the performance? Family friendly treats such as candy, Billy Goat potato chips, cookies, beverages, and more are available for sale in the lobby.
* Current best seating availability is in the rear top balcony section and the rear main level areas. You may want to bring binoculars for your children if you sit in these areas so that they can see more costume or facial details of the performers. In terms of sound, I would recommend the balcony seating area over the rear main floor area.
* Metered street parking is free on Sundays, so if you want to secure one of these spots, try to arrive a little early to the performance. Otherwise, there are paid parking lots adjacent to Powell Hall.
* At various stations throughout the lobby areas prior to the performance, kids can try out a flute, a violin, and other instruments. Any instruments with mouth pieces are cleaned of course before each use!
* The Arizona Opera produced a nice study guide about The Magic Flute geared towards school age children and adults who are new to the opera.
* Visit the blog “Playing by the Book” for wonderful children’s books about The Magic Flute.

A taste of the music from the Metropolitan Opera’s famous 2006 Julie Taymor production:

Photo: Ken Howard, Metropolitan Opera
Arts & Culture Events for Preschoolers, Date Night, Music for your child (that isn't annoying)

St. Louis Symphony Performances

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The St. Louis Symphony is right in your backyard but is also world renowned. Haven’t seen them before or having difficulty picking a concert from their wonderfully full performance schedule? Here are some suggestions for both unique outings with the kids and stellar date nights. In particular, the date night concerts feature some not-to-be-missed incredible artists and repertoire. Unless otherwise noted, the following descriptions (and adjectives) of the performances are taken directly from the St. Louis Symphony web site.

Single tickets for most 2011-2012 concerts are available on Friday, August 12.

Information about the 2011-12 Season
Box Office and Ticket Information
Plan Your Visit
Powell Hall

Photo: St. Louis Symphony, Scott Ferguson

FAMILY CONCERTS

Warner Brothers presents “Bugs Bunny at the Symphony”
Saturday, September 10, 2011 at 7 pm
Sunday, September 11, 2011 at 2 pm
George Daugherty, conductor and creator
Bugs Bunny is back with the STL Symphony providing live accompaniment to your favorite classic Looney Tunes on the big screen. This exhilarating new version is perfect for the entire family.

httpv://www.youtube.com/watch?v=gJKwOCmx5Ww

The Composer is Dead
by Nathaniel Stookey with text by Lemony Snicket
Sunday, October 30, 2011 at 3 pm
Ward Stare, conductor
Bobby Norfolk, narrator
There’s dreadful news from within Powell Hall–the composer is dead! Halloween weekend experience Lemony Snicket’s murder mystery whodunit, where the instruments are the suspects and no one will go unnoticed.

httpv://www.youtube.com/watch?v=lPBDHnlhvSQ

Mozart’s The Magic Flute (abridged)
In partnership with Opera Theatre of Saint Louis
Sunday, January 15, 2012 at 3 pm
Ward Stare, conductor
Endlessly inventive, charmingly fantastical and utterly unique, Mozart’s final opera is a lighthearted tale of love and the art of birdcatching. The STL Symphony presents a special condensed version for kids featuring Opera Theatre of Saint Louis Young Artists.

Disney in Concert: Magical Music from the Movies
Saturday, February 11, 2012 at 7 pm
Sunday, February 12, 2012 at 2 pm
Ward Stare, conductor
Fun for the whole family! Enjoy a concert of symphonic arrangements from The Walt Disney Studio vault. Disney in Concert features music, film clips, and artist renderings showcasing a variety of musical scores from popular Disney movies including Mary Poppins, The Lion King, The Huntchback of Notre Dame, and more.

DATE NIGHT CONCERTS (or, go by yourself!) WORTHY OF BABYSITTER MONEY

An American in Paris
Friday, September 30, 2011 at 8 pm
David Robertson, conductor
Ward Stare, conductor
Edgar Meyer, double bass
IVES Central Park in the Dark (Culture Mama note: This isn’t performed very often. Brilliant unraveling kind of music.)
COPLAND Suite from The City (with film accompaniment)
MEYER Double Bass Concerto No. 3 (World Premiere)
GERSHWIN An American in Paris
David Robertson leads an All-American program full of favorites complete with Gershwin’s depiction of an American’s escapades through the “City of Lights” and Copland’s first film score, The City, presented live with film. Edgar Meyer, reigning virtuoso of the double bass, makes his STL Symphony debut performing the world premiere of his astounding third double bass concerto.

Enigma Variations
Friday, October 21, 2011 at 10:30 am (Coffee Concert)
Saturday, October 22, 2011 at 8 pm
Sunday, October 23, 2011 at 3 pm
Vasily Petrenko, conductor
Olga Kern, piano (Culture Mama note: I worked with this wonderful pianist in DC at her Kennedy Center debut and have been continuously amazed at her strength, smarts, and gorgeous playing.)
RACHMANINOFF The Isle of the Dead
CHOPIN Piano Concerto No. 1
ELGAR Enigma Variations
Elgar’s mysterious Enigma Variations are full of familiar and gorgeous melodies including the popular “Nimrod.” Paired with pianist Olga Kern performing Chopin’s dazzling Piano Concert No. 1, you’ll be humming the marvelous tunes of this program for days.

Christine Brewer sings Strauss
Friday, January 13, 2012 at 8 pm
Saturday, January 14, 2012 at 8 pm
David Robertson, conductor
Christine Brewer, soprano
DVORAK Symphony No. 7
CRUMB A Haunted Landscape
R. STRAUSS Four Last Songs (Culture Mama note: one of my favorite works)
The St. Louis Post-Dispatch declares that “there is no one today who sings Richard Strauss’ soprano roles better than Christine Brewer – period.”  Hear the St. Louis phenomenon performing Strauss’ stirring Four Last Songs, his final complete work, and David Robertson conducting Dvorak’s splendid Seventh Symphony.

httpv://www.youtube.com/watch?v=AGwyYGYk538

Hubbard Street Dance Chicago (Culture Mama note: Yes! Dance with live music.)
Friday, February 17, 2012 at 10:30 am (Coffee Concert)
Friday, February 17, 2012 at 8 pm
Saturday, February 18, 2012 at 8 pm
Sunday, February 19, 2012 at 3 pm
David Robertson, conductor
Hubbard Street Dance Company
St. Louis Symphony welcomes back the famed Hubbard Street Dance Chicago as one of the highlights of this exciting season exploring the synergy between music and dance. The internationally recognized troupe, returns to St. Louis after performing to sold-out audiences in 2009.

Bach Mass in B minor
Saturday, March 31, 2012 at 8 pm
Sunday, April 1, 2012 at 3 pm
David Robertson, conductor
Susanna Phillips, soprano
Kate Lindsey, mezzo-soprano
Nicholas Phan, tenor
Stephen Powell, baritone
St. Louis Symphony Chorus
Amy Kaiser, director
Composed in the final year of Bach’s life, the monumental Mass in B minor inspires audiences regardless of background as a spiritual masterpiece. David Robertson leads the combined forces of the St. Louis Symphony and Chorus for this powerfully transcendent work.

Date Night

Death of Klinghoffer at Opera Theatre of St. Louis

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Are you mesmerized by the works of contemporary artists Bill Viola, Shirin Neshat, and William Kentridge? Do you hold your breath at the subtle gestures embedded in William Forsythe’s choreography? Did Meredith Monk’s work (whose performances were utterly filled with undefinable sound) used to keep you up at nights? Have you felt the purity of Bach cello suites resonate in your hands and heart? Have you lost all track of time and place when listening to a choir rehearse in a cathedral in some tiny corner of Europe? Have you “seen” sound float up into the air when hearing a Urtiin duu (longsong)? And does the tender yet collapsing beauty of Prokofiev’s works make you close your eyes?

If some of this makes sense to you (and even if it doesn’t!), go experience Opera Theatre of St. Louis’s production of The Death of Klinghoffer. You’ll discover unspoken pieces of the artists and sounds above throughout a moving and provoking performance. No need to get hung up on the formality or structure of opera–this production is simply and gloriously meaty art. The brilliant score, stunning chorus and orchestra performances, singing, lighting, staging, video projections, gestures, use of props, and stillness will wow you and make your heart ache a little in the communal darkness of the audience.

The Death of Klinghoffer is based on the true story of a hijacking of the ship, the Achille Lauro, in 1985, by Palestinian terrorists and the murder of one of the passengers, Leon Klinghoffer. The 1991 opera was written by Pulitzer Prize-winning composer John Adams with an evocative and poignant libretto by Alice Goodman.

Conductor Michael Christie literally eats this score up. If you have a chance, sit in the theater where you can see him conduct. He sings every word with the artists on stage and wraps the orchestra (members of the St. Louis Symphony) together so cohesively, despite the crazy entrances, textures, and meter changes. Stage Director James Robinson has brought together a subtle, smart, and powerful vision of this opera. I absolutely loved the video projections of Greg Emetaz. Chorus Master R. Robert Ainsley did a superb job with the chorus whose moments on and off stage were some of the most memorable sounds in an opera production that I’ve ever heard. Baritone Brian Mulligan who performs the role of Leon Klinghoffer, was a standout. Beyond having an incredibly rich, solid, powerful, and tender voice, he has a unique dreamy yet somehow familiar sound. He sounds like coming home. For me, Brian Mulligan sings so perfectly the most moving phrase of the entire production. This phrase is seemingly so mundane, yet subtlety holds the immensity of everything that this story, this history, and this opera stirs up. Leon Klinghoffer sings to his wife surrounded by terrorists on the sunny deck of the ship in their last moment together (although they don’t know it yet), “I should have worn a hat.”

A huge bravo to Opera Theatre of St. Louis for having the courage to bring this production to light, the intelligence to present meaningful outreach and very thoughtful commentary and discussion, and the creativity and persistence to generate support from the community both in St. Louis and beyond. I feel lucky to have experienced this production.

(The only tiny criticism I feel worth mentioning… the bird “puppet” on a stick at the end was too literal and looked very awkward from the side seats. It kind of broke the moment.)

Tickets
Three performances of The Death of Klinghoffer remain. Tuesday, June 21 at 1 pm; Thursday, June 23 at 8 pm; and Saturday, June 25 at 8 pm. Tickets $25 to $120. Special promotion for the Tuesday, June 21 at 1 pm show ONLY: mention the promo code HOOKYDK online or when you call the box office, and get tickets for $35 in section 2 of the theater. These seats are regularly $100 each.

Recent reviews of Opera Theatre of St. Louis’s The Death of Klinghoffer

St. Louis Post-Dispatch review
The Wall Street Journal review
The New York Times review

The Death of Klinghoffer discussion guides on the Opera Theatre of St. Louis’s web site.

Photo: Opera Theatre of St. Louis
Arts & Culture Events for Preschoolers, Community, Holidays

The year-end ask (not from your kid).

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Your mailbox is probably overflowing with letters from nonprofit organizations asking for year-end donations. If you don’t already have a personal connection to a cause, what to pick? Who is more worthy than the rest?

Tough call. It’s particularly challenging at the end of the year for cultural organizations to compete with other nonprofits whose missions involve urgent and tangible needs like feeding the hungry, providing shelter for the homeless, advocating on behalf of battered women, giving medicine to needy children, and more. But as you know, cultural organizations can also feed the mind, offer solace, inspire, and bring joy (and of course contribute to our economy in a major way). Please keep them in mind as you consider donations this month.

Here are a few recommendations that focus on family friendly places in the St. Louis region and whose memberships include useful benefits that can save you money on your visits. Donations to these companies are tax-deductible (check with each membership level for the exact amount). Do you work for a mid to large size for-profit company? Ask your human resources department about matching gifts. You can often double your donation and the nonprofit typically bumps you up to the next membership level with the match.

Missouri Botanical Garden: Memberships come with complimentary tickets to The Children’s Garden (open April-October), an incredible place for kids to run around, engage in pretend play, climb, play with boats, hang from ropes, slide, stack, play with musical instruments, and more.

Museum of Transportation: This museum is a little on the scrappy side, but perfect for your little one who loves things that go. A membership includes visits to the Creation Station (a wonderful indoor play area that is great for infants to 5 year olds) and train rides that go around a big parking lot two times (kids still love it!). There are great old trains to ramble around in on the museum grounds as well.

The Magic House: People travel from all over the country and beyond to delight in The Magic House, a fantastic children’s museum that caters to infants through 9 year olds (or so). Most museum memberships offer complimentary admission, free visits for playdates, cafe and class discounts, and more. We’ve been visiting The Magic House for the last year and my three-year old often ends up crying/whining about leaving. She has way too much fun. There is an enormous amount to play with and it is all smartly designed. Admission is usually $8.75 per person above one year of age (including you!), so if you end up being a frequent visitor, a membership is definitely worth it.

St. Louis Zoo: Yes, it isn’t exactly warm weather to be romping around at the zoo, but there is an indoor area of the Children’s Zoo as well as some other indoor animal exhibits. With a membership, you get passes for the Zooline train (regularly $5 per person over the age of 2), parking (comes in handy when there is no street parking for blocks and your kid is saying “hold me!” The parking lot is regularly $11 per car.), the Children’s Zoo (regularly $4 per person over the age of 2), and the carousel (regularly $3 per person over the age of 2, that includes a caregiver who is holding the child on the carousel animal).

St. Louis Science Center: If you have a high energy child who likes a little “organized” chaos, this place is for you. The free areas of the Science Center are fairly limited. Special exhibitions, the Discovery Room, the OMNIMAX, and the planetarium among other activities, require admission fees. Parking is $9 per vehicle. Membership benefits include free or discounted admission to all of these and parking passes. If you have a 3 to 7 year old who likes things a little calmer (the rest of the Science Center is really loud on a busy day), the Discovery Room is perfect. Interactive magnet exhibits, a water table, reading areas, pretend play and more help your kids learn a bit about science. The Discovery Room sessions are 45 minutes each and start at the top of the hour.

Opera Theatre of St. Louis: This professional opera company is nationally and internationally respected. It is fiscally sound, bursting with creativity, and produces some fantastic productions. Opera Theatre of St. Louis also has an extensive education and artist training program. About 26% of Opera Theatre of St. Louis’s income comes from ticket sales, so they rely heavily on donations to make their magic happen. We are very lucky to have them in Webster Groves.

Naturally, any of these memberships/donations can be given as thoughtful gifts.

Want to check on these nonprofits’ fiscal management? Check guidestar.org for more or contact the organization directly.

Happy Holidays and enjoy the gift of experience!

Arts & Culture Events for Preschoolers, Date Night

Choice September arts events in St. Louis

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September ushers in some incredible arts events in St. Louis. Here are a few recommendations:

Arts & Culture Events for Preschoolers

A Little Lunch Music (FREE)

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Opera Theatre of St. Louis presents free Monday concerts that feature some of the young artists in the company’s current productions. Since it’s free, no worries about leaving early if your preschooler gets squirmy.

June 14, 2010 at 12:30 pm
June 21, 2010 at 12:30 pm
Date Night

A Little Night Music Smiles Big

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Here are my thoughts about Opera Theatre of St. Louis’s A Little Night Music, June 11 at 8 pm performance. A few more shows remain!  Watch the preview video.

The title of Stephen Sondheim’s A Little Night Music comes across at first as being so casual, so uneventful, so well, “little.” Yet beneath a seemingly lush, at times movie soundtrackesque, rumbles something much deeper, a darker story that unveils how meaningful what we think nothing of, can really be.

Opera Theatre of St. Louis’s production of A Little Night Music is pure magic driven largely by Isaac Mizrahi’s playful and dreamlike set (fit for any Vogue photo shoot), the luscious sounds from members of the St. Louis Symphony (an extra bravo to the clarinets and the bassoons, and of course to Stephen Lord for keeping the complex music together), the lighting by Michael Chybowski, and the team who developed the movement of the artists on stage—the clarity and honesty of the blocking and choreography made a great deal of sense.

Among the cast, I loved every moment that Christopher Dylan Herbert (Henrik Egerman) opened his mouth. He had wonderful nuance in color, breath, and line. At the end of his song “Later,” Mr. Herbert sang “Doesn’t anything begin?” with a poignancy that carried throughout the rest of the performance.

Sondheim music is hard to sing. The chromatics, the words that get all jumbled up in your mouth, the hidden meanings, the required purity of phrasing, all while acting and moving around the stage requires an enormous amount of practice, talent, and the ability to “keep control while falling apart” as is sung in the song “Perpetual Anticipation.” In general, the cast walked the fine line of musical theatre and operetta well, although there were definitely some intonation issues here and there as well as some odd sound balance concerns.

Amy Irving as Desiree Armfeldt well captured the actress’s sad cynicism tinged with bits of hope for what has passed her by. Ms. Irving delivered good comedic timing although her “singing” voice earlier in the production lacked direction or confidence. It must have been very tough for her to share a stage with singers of such high caliber. But oddly, her performance of the famous “Send in the Clowns” struck a chord of success. It’s almost as if her uneven and somewhat raspy singing voice fit perfectly with the words of the song—those that conveyed lost chances, sad smiles, and what could have or should have been. The line “Me here at last on the ground/You in mid-air” was sung knowingly, a little tiredly, and a whole lot worldly by Ms. Irving.

A Little Night Music opens with the grandmother Madame Armfeldt telling her granddaughter Fredrika about how the night smiles three times—once for the young, once for the fools, and once for the old (who know too much). Opera Theatre of St. Louis so beautifully presented those smiles to an eager audience and all the important in-betweens, the seemingly inconsequential happenings of life that add up to a lot more.

When Madame Armfeldt asks her granddaughter Fredrika, “Will you tell me what it’s all for,” Fredrika innocently responds, “It’s all there is, isn’t it?” We smile.